Download Transit Theme - Faun Fables - The Transit Rider (CD, Album)
2006
Label: Drag City - DC314CD • Format: CD Album, Promo • Country: US • Genre: Rock, Folk, World, & Country • Style: Acoustic


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8 Replies to “ Transit Theme - Faun Fables - The Transit Rider (CD, Album) ”

  1. "The Corwith Brothers" is great piece in the classic musical theatre tingcomthechuckdulsupp.tiasabsodersfecsibasournewssuanhahy.co would be tough to find a weak song on tingcomthechuckdulsupp.tiasabsodersfecsibasournewssuanhahy.co you get the chance to see Faun Fables perform the "The Transit Rider" live,run (don't walk) to the box office for tingcomthechuckdulsupp.tiasabsodersfecsibasournewssuanhahy.co Fables are spectacular live and this record is really something special/5(7).
  2. Discover releases, reviews, credits, songs, and more about Faun Fables - The Transit Rider at Discogs. Complete your Faun Fables collection/5.
  3. Faun Fables ‎– The Transit Rider. Label: Drag City ‎– DC, Drag City ‎– DC PROMO.
  4. Transit Rider by Faun Fables, released 16 March 1. Birth 2. Transit Theme 3. House Carpenter 4. In Speed 5. Taki Pejaz 6. Roadkill 7. Earth's Kiss 8. Fire & Castration 9. The Questioning I No Longer Wish To The Corwith Brothers Dream On A Train
  5. That said, just listening to The Transit Rider provides ample motivation to catch Faun Fables on stage, as soon as the chance arises, and provides a magical experience in itself. The Transit Rider largely revolves around Dawn McCarthy’s fantastically eerie vocals and the guitar-work of Nils Frykdhal, also guitarist and flautist for those.
  6. Now I love prog rock, don't get me wrong, and I love folk music - and when the two collide it's always worth an interested look, but there's a line, and when crafting a prog-folk concept album you're skating dangerously close to it. Faun Fables lady Dawn McCarthy has managed to bound over that line quite happily with 'The Transit Rider' - the more you listen to the theatrical .
  7. “Transit Rider Theme” sets the stage with a view of the narrator herself, vulnerable in the cold tunnels but with no alternative for getting where she needs to go. Some of the other theatrical tracks show clear evidence they were developed for the stage and not for the studio/5(2).

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